istanbul Travestileri Günlükler
istanbul Travestileri Günlükler
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Travestiler yalnızca kendilerine atanan cinsiyete aykırı giyinmekle kalmaz, aynı zamanda avrat isimlerini ve zamirlerini bile benimserler ve ekseriyetle seksüel organlarını değmaslahattirmeden yahut kendilerini karı olarak gıyaben zenne vücudu özelliklerini elde kılmak bâtınin kozmetik icraat, hormon replasman tedavisi, dolgu enjeksiyonları ve kozmetik ameliyatlar yaparlar. Travesti nüfusu tarihsel olarak sosyal olarak savunmasız ve suçlu rolleriyle andaçlmış, toplumsal dışlanmaya ve yapısal şiddete sunulan kalmıştır; ayrımcılık, taciz, tadı denetlemelar, işkence ve cinayet Latin Amerika'da yaygındı.
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Hormon tedavisinde, hedeflenen cinsiyetin seks hormonları vücuda verilmekte ve vücudun kendi hormonlarının gelişimi engellenmektedir.Menşe 10 Ilk teşrin 2012 tarihinde Wayback Machine sitesinde arşivlendi.
Access to housing is one of the problems that most affects the travesti community.[149] In Buenos Aires, 65.1% of travestis and trans women live in rental rooms in hotels, private houses, pensions or apartments, whether authorized by the competent body or "taken" by those who manage them irregularly.
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Travestis hamiş only dress contrary to their assigned sex, but also adopt female names and pronouns and often undergo cosmetic practices, hormone replacement therapy, filler injections and cosmetic surgeries to obtain female body features, although generally without modifying their genitality nor considering themselves as women. The travesti population katışıksız historically been socially vulnerable and criminalized, subjected to social exclusion and structural violence, with discrimination, harassment, arbitrary detentions, torture and murder being commonplace throughout Latin America.
Bu makaleda, çeşitli alanlarda öne çıdem ve dünyaca maruf travesti ve eşeşeysel bireylerin muvaffakiyetlarına odaklanacağız. Zanaat ve Sefahat Dünyası Laverne Cox: Amerikalı aktris ve LGBT hakları
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[63] This little-documented phenomenon known kakım the "travesti carnival movement" marked a milestone in the parades of the 1960s and 1970s, and had the participation of make-up artists, costume designers and choreographers from Buenos Aires' revue theatrical scene, all of them maricones.[note 1][63][27] A 1968 Primera Plana article on the Carnival of Buenos Aires reported: "Those who resist disappearing are travestis, who began by exaggerating their feminine charms and have ended up in a dangerous refinement. Wigs and çağdaş cosmetics turned them into suggestive stars, whose sexual identity was no longer so simple to grasp."[64] In 2011, Solís reflected on the importance of Carnival celebrations for travestis: "I think to myself, that the leitmotif of the travestis who integrated the murgas was to bring out from the bottom of their soul their repressed self of the rest of the year. Everyone saw them and applauded them, but could hamiş understand that behind that bright facade there was a desire, the desire to be recognized and accepted in order to live in freedom."[63]